John Tagliabue papers

John Tagliabue was born in Cantu, Italy on July 1, 1923 near Lake Como to Adelaide and Battista Tagliabue. At the age of four, Tagliabue immigrated with his mother and his younger sister, Erica Tagliabue (Dorf), to the United States following the emigration of his father and the establishment of his father's restaurant in North Bergen, New Jersey. An ardent enthusiast of literature and reading, John Tagliabue entered Columbia University where he majored in American, English, and Comparative Literature and took several courses in Art History. While at Columbia, Tagliabue was a student of renowned poet Mark Van Doren, writer Raymond Weaver, author Lionel Trilling, philosopher Jacque Maritain, publisher Giuseppe Prezzolini, and art historians Millard Meiss and Meyer Schapiro. In addition to his relationship with Van Doren, Tagliabue studied alongside well known 1950s and 1960s writers and poets of the Beat Generation, Jack Kerouac and Allen Ginsberg. Though his style was quite different from that of the Beat Generation, Tagliabue retained a close association with Allen Ginsberg and a more distant relationship with other members of the Beat Generation, Jack Kerouac (who had already dropped out of Columbia), Lucien Carr and William Burroughs.

Tagliabue graduated from Columbia University in 1944 with a B.A. degree in English and with a M.A. degree in 1945. Later that year, he left for his first teaching assignment at American University in Beirut, Lebanon. The following year, John Tagliabue married artist and painter, Grace Ten Eyck, who later illustrated many of his poems and created the puppets for his Mario Plays. In 1947, he traveled to Italy for graduate study and work translating Italian poetry at the University of Florence. That same year, Tagliabue received the first of seven Fulbright scholarships to teach, study, and translate Italian poetry at the University of Pisa. Tagliabue returned to the United States to teach at the State College of Washington and Alfred University.

John Tagliabue eventually joined the Bates College faculty in the fall of 1953 where he taught in the English Department until his retirement in 1989, a span of thirty-nine years. At Bates, he taught "Cultural Heritage," "World Literature" (which introduced Asian literature into the Bates curriculum), "The Short Story" and "Writing on the Maine Scene," as well as courses focusing on Shakespeare, major American writers and modern poetry. He founded the first Film Series at Bates and helped form the Poetry Reading Series. He also served as advisor to the Bates Garnet magazine in 1970. In 1972, John Tagliabue was promoted to full Professor of English. In 1989, he was given the title of Professor Emeritus of English, a tribute to his legacy and profound impact on the college.

During his tenure at Bates College, Tagliabue served as a visiting scholar teaching English and American Literature at Tsuda College, and Women's Christian College of Tokyo (1958) and as a poet and writer in residence at Anatolia College in Greece (1978), in Natal, Brazil (1968), and at Bennett College in Greensboro, N.C. (1965). He also received many grants and fellowships of note including Fulbright Fellowships to teach in such places as Pisa, Tokyo, Japan, Shanghai, China, and Jakarta, Indonesia. In 1981, Professor Tagliabue was awarded a Rockefeller Foundation grant to study in Bellagio, Italy on Lake Como during the August and September months. October and November of 1981 were then spent traveling through India and Nepal. In 1987 John Tagliabue received another grant from the Michael Karolyi Memorial Foundation to spend time in Southern France writing poetry related to the region.

John Tagliabue published his first collection of poetry in 1959. Entitled Poems, the book received wide critical acclaim. It was eight years before Tagliabue published his second book of poetry entitled the Japanese Journal (1966). The Japanese Journal was followed by a series of published works of poetry including: The Buddha Uproar: Poems (1967, 1970), The Doorless Door (Japan Poems) (1970), The Great Day: Poems, 1962-1983 (1984), New and Selected Poems: 1942-1997 (1997). In addition to his many publications, Tagliabue published more than 1500 poems in more than a 100 magazines and journals. These include: The Atlantic Monthly, American Haiku, Arizona Quarterly, Apple, Beyond Baroque, Bitterfoot, Carleton Miscellany, Carolina Quarterly, Chicago Review, Columbia University Forum, First Stage, New England Review, The Northwest Review, Mainline, Modern Age, Southern Poetry Review, and the Wisconsin Review, to name a few. Tagliabue's poetry is included in anthologies such as Hierbas, Purpura y Magnolias (1973); For Neruda, For Chile: An International Anthology (1975); and Poetspeak: In Their Work, About Their Work: A Selection (1983). Tagliabue's poems also appear in a Boston University art exhibit catalog, Marianna Pineda, Sculpture, 1949 to 1996.

John and Grace Tagliabue had two daughters, Francesca Tagliabue and Dina Tagliabue; and four grandchildren, Phoebe and Alexander Gould, and Juniper and Terra Tagliabue. John Tagliabue died May 31, 2006 at the age of 82 in Providence, R.I., where he had lived with his wife, Grace, since 1998.